Heritage with a Twist

When you imagine a Heritage page scrapped, most people immediately think in terms of neutral beige, brown, off white, etc., along with loads of ephemera in layers throughout the page, sepia toned photos, and possibly torn and tattered elements.  Seldom does color come into play, unless it is that slight, unexpected splash that maybe leads your eye through the page.  I have to say that I love those pages as well, however, I also love to see something different thrown into the mix as well.

Every so often I have a photograph that is just so special that I want to make certain I do it justice when I scrap it, and this photograph is definitely one of those photos.  I used a great many kits to complete it, but the inspiration came from the new package released by Anna Aspnes this past week:  ArtPlay Palette Enroute, Enroute No. 1 (brushes), and Enroute Sampler.  The hues of dusty aqua, and grays were so inviting, that I immediately thought of this photo.  Here is the finished page:

School Girls

School Girls

I didn’t start out thinking the page would end up like this, but am so happy with the final result. I began with the background paper from the Palette, and placed upon it, the photograph in the torn frame. I began by blending the photograph within the frame, applying blend modes to see what looked best. I didn’t like the result, as the black and white blended image just didn’t look right.  I decided to try making the photo with a blue tint.  To do so, I first attached a textured blue solid to the fotomask, and then changed the blend mode of the photograph, attached to it, to luminosity.  This caused the photo to take on the hue of the paper. I blended from the photo, the children’s outlines, but I also wanted some of the background of the photo to show through as well, so I created a second photo layer, and again, using the luminosity blend mode, began blending in the entire photograph, just slightly, until I got enough of the background, thus giving a somewhat dreamy look.

using un-blended original photograph

using un-blended original photograph

I then begin dragging into the layout brushwork, transfers and elements that I believe would go well.  I added an edge overlay, changing it’s color to a pale yellow.  Under that I added two edge transfers, bringing in additional neutral colors to the right edge.  I began layering element to the bottom right corner of the photograph, plus a few fotomasks directly on top of the background paper, changings the color to a blue, and modifying the blend mode and opacity to deepen the color around the photo.

Added brushwork, transfers, elements and edgework

Added brushwork, transfers, elements and edgework

Once I am almost done with a layout, I typically look for what might be missing, or what items I could add to polish up a layout. I decided adding the brushwork of the tape measure numbers, the ScriptTease text along the right border, and the lace along the bottom edge of the photo would be perfect to finish it off. I can have the tendency to add too much, so I am often adding and removing items to find that right balance.

Finished Layout

Finished Layout

Taking Things to the Next Level.

It has been quite a while since I have posted. I have been quite busy, but I have recently decided to set some goals for myself. The hope is that I up my game as far as the things I love in my life. I have decided that I would be more proactive in taking my interests to the next level. I do understand that I am quite the perfectionist. It takes me hours on some pages, to get to the final product that I am totally happy with. This does not mean that I never post a layout that is not perfect, but there are times when I look at a page and say that I know it is not perfection, but in my heart I feel I have done the page and subject justice, and have other pages in my head and heart that are waiting to be created.

In the past few months, I have taken two steps to better my skills. The first was a webcast which I have been listening to, where I hope to find out more in the way of new resources. Through this webcast I learned of Peppermint from One Little Bird. I am always looking for new and different designers out there, and upon seeking out her blog came across a fabulous tutorial on creating shadows. The biggest thing with me is that I want my pages to look like the items used on them are real – therefore they need impeccable shadows. True, Photoshop has a shadow fx, but I know they can often look even more natural. My method of creating shadows on my pages were to use a standard shadow as I placed each item. This gave me an idea of how I wanted the items to look. Once the page was complete, I would go back to many of the items, and replace the shadow with a custom one, allowing me to use the smudge tool to make it look more accurate.

I have to say, that I was impressed with Peppermints’ blog tutorial, and have been using her technique ever since. Here method uses a dual shadow, plus it creates te shadow in a color which mimics a true shadow (not just black with a lowered opacity). The page above was one I created using this tutorial, and I spent hours working on each and every item, until I was happy with them, and then decided I wanted to move the line of shells, and papers from the left edge to the right edge. This meant that I had to redo each and every shadow, but I think it was the right thing to do. I have been using this technique, without creating any actions for some time. I really wanted to cement the process in my brain, and to also gave myself some time to think about just how to go about creating a set of actions that will work for anything from thin paper to larger/deeper elements requiring larger shadows. I will do this shortly, and this will hopefully speed up the shadow making process.

This is a heritage photo of my mom and her brother and sister in law, and although the photo itself is a bit blurry, I have learned that sometimes those blurry photos are acceptable to scrap, especially when they tug at your heart, as this one does mine.

Beside learning this new shadow technique, I decided I would take classes online that would better my skills. I signed up for an 8 week class on scrapbook page design, and although I did come away from the class with a new tidbit here and there, most that was taught were things I already knew. In fact, I was surprised that many of the scrappers taking the class were ill prepared for this class, as the description of the class was one that would allow the digital scrapbooker to take things to a new level, which was what I was looking for. In the end, I believe those students came away from the class having learned quite a bit. It was kind of a sink or swim type thing for many, but I have the feeling they learned a lot. I walked away from the class with the reinforcement that I had those design skills down, it was just that much of the time I didn’t have a word for what they were teaching in the class, I just knew what worked and what didn’t. I also learned that I like a line layout, where there are more than one photo on the page, and on a page with just one photo, I liked a somewhat small photo usually in the lower left or lower right portion of the page with quite a bit of white space, as in the Myrtle Beach layout above.

The page below was created during this class. I had been loving the style of page where there were loads of layers, but would find that I would get caught up in how to put it all together. In addition, I had been using Adobe Bridge to find all my supplies, and I have come away from that with the realization that it just wasn’t working to my advantage, so it would often times take me hours to locate the elements that I had in my mind, but couldn’t remember what kit it came from. I have since begun using ACDSee 12, having learned you could in fact open items up in Photoshop rather than ACDSee. I am currently in the process of tagging all my supplies in catagories, and we will see when I am done, if it crashes the system. I am hoping that it will make pages like the one below much easier to put together.

Baby you can drive my car

I was really proud of this layout as I had used multiple layers of items, all of which needed custom shadows, and I had used a scallope edged mask to attach some crumpled paper unto, and then feel that I added custom shadows that worked well enough to make it look like real paper. I also tried to make the real look of a viewfinder film by adding the slight white highlights. I don’t feel they look as realistic as they could have been, but my hopes are that I can someday better that technique and go back and change the page.

This page caused me to not agonize over color as much. I struggled over the fact that my daughter’s dress was aqua, and that the car was bright red. In my mind I felt that color combo was a poor one. No matter what I did, I just couldn’t get past the red and aqua, but I eventually just said to live with it, and added the brackets in red. What I didn’t notice was that many of the pages being created right now use the red and aqua or turquoise color combo – I am seeing these colors on many pages, so this taught me to be more observant of what is out there in the galleries. I was honored to have this page be chosen as a GSO for June 25th, as well it was chosed page of the week at designerdigitals.com, plus was listed as a favorite in their forum, and used as a scraplift page, so I found it funny to see a dozen or so pages similar to this – all using the slide reel in some way, and most with many layers. I have since found it on Pinterest as well, which surprised me, but I guess all in all, that website is for all things you like, so it was a compliment.